Tuesday 25 November 2008

Making Puppets - Shadow Puppets

For the last week I have been making puppets out of inanimate objects. I first started with shadow puppets. While doing this I did some research into shadow puppetry history and modern day use. I watched a recent short film called 'Our Man in Nirvana' by Jan Koester. It is a story about a man who dies whilst playing a rock concert and goes to Nirvana, a surreal heaven-like place, but when it comes to judgement the judge decides that he has not acted well in his life so he cannot stay in Nirvana and has to go back to life. I like the film as it begins with traditional black and yellow light shadow puppets animated by metal rods, but Nirvana is made by computer animation in full colour but moves in the same way as the puppets and the character image is made up of solid colour layers reflecting the more traditional techniques. 

I started taking pictures of objects and their shadows and then recreated the shape and look of the objects but stylised a like 'Our Man in Nirvana'. I will post images of them when finished cutting on the laser cutter. This is one of the images that I think shows signs of personality, it looks like the toothbrush is talking to it's shadow. 


During my research I have also come across a German animator in the 1920's called Lotte Reinger. She was most famous for the feature length silhouette film 'The Adventures of Prince Achmed' in 1926. She made all the scenes and characters by hand "holding the scissors still in her right hand, and manipulating the paper at lightning speed with her left hand so that the cut always went in the right direction.' 

When I have created some object puppets I would like to create a narrative relevant to the context of why and how I have created them. I think this would be a good medium to communicate the personality of the objects. 

Monday 17 November 2008

My Territory



Three approaches to animating the inanimate...

  • Children and Toys
  • Adults and Childhood Toys
  • Puppets and Puppeteers



Children and Toys

How do children form relationships with inanimate object?

"Toys are opportunities for play, for exploration, 
and for social interaction; an educational toy that promotes these will have a positive effect, but so will an everyday household object - if used in the right way." 

"Every child at play behaves like a creative writer, by creating a world of his own or ... By imposing a new and more pleasing order on the things that make up his world." - Sigmund Freud.




Adults and Childhood Toys

If a person can form a relationship with a childhood toy through to adulthood, can they form relationships with other objects?

The Velveteen Rabbit is a story about how toys become real and what happens when childen do not need them anymore. 

"He loved him so hard that he loved all his whiskers off, and the pink lining to his ears turned grey...he scarcely looked like a rabbit any more, except to the boy. To him he was always beautiful, and that was all the little Rabbit cared about...when you are Real shabbiness doesn’t matter."

Also see: www.toy-secrets.blogspot.com






Puppets and Puppeteers

How do puppeteers relate to inanimate objects in order to animate them?



To animate is ...

'to give life and soul to a design, not through copying but through the transformation of reality.'